My current candy-reading (or listening, since I’ve subscribed to Audible) is Lois McMaster Bujold’s Vorkosigan series. I’d run across the series maybe 5 or 6 years earlier, but it had been 4 years since I’d last stalled out reading through the books (in chronological order, as opposed to the order written). These books are addicting–so much so that I’m inclined to call them a “guilty pleasure”, but there is enough nuance in worldview, enough (for a 80s-onward military space opera) expansion of representation, enough of a critical attitude towards cultural militarism in the same breath as a sympathetic rendition of characters who love military culture and action, that I don’t want to give the impression that this is “dumb” reading. It’s good escapism, sure, and tailor-made for that in many ways–but it is also a thoughtful exploration of our humanity and our contemporary cultural issues through the lens of space opera. And yes, this is pretty standard space opera/military sci-fi–or at least, it won’t surprise anyone as far as the setting or tech goes–but the elements are, I think, treated well and creatively, with enough twists that you can’t take this as a clone of any old space opera setting.
You can check out the list of books/stories in the series on Bujold’s website here, though the Wikipedia entry for the Vorkosigan saga also has a good chronological list, including info on the omnibus editions, which is where I first started reading–the omnibus editions are also nice since they include the short stories and novellas, which, as I’ve recently been reminded, are themselves at times very central to the overall arc (the novella “Borders of Infinity” certainly is). Personally, I love the narrator for the audio books, so I’ve recently started working through the series on Audible (alas, until I start a podcast or youtube channel I can’t become an audible affiliate–otherwise you would be able to support this blog by signing up for a free trial membership at Audible. Well, you can still sign up, it just won’t benefit me at all.).
The saga starts with Miles Vorkosigan’s parents, Aral Vorkosigan, from feudal, militaristic Barrayar, and Cordelia Naismith, from advanced, liberal, and progressive Beta Colony. I started the series with the omnibus Cordelia’s Honor, and I do recommend starting there–the two novels are good, if not as riveting (for me anyway) as the first Miles book (The Warrior’s Apprentice, which I’ve read at least 4 times), but all the rest of the series is all the more meaningful when you come to it already caring for the family–the backstory (really stories on their own right, the first of the two published before any of the Miles stories) really does enrich the rest. Miles himself is a great viewpoint character–well, this is not to say everyone will like him, but I’ve found him very engaging, and have found my own particular ways to resonate with his character, even if he is in many ways very different than myself. Additionally, Miles is a disabled character. Whether or not his portrayal successfully evades any degree of “abelism” I can’t speak to–we might extend this to other points where the Vorkosigan books are relatively progressive when in comes to representation, in that I’m reluctant to offer any authoritative judgement re: how well Bujold succeeds (this is of course not meant to diminish Bujold’s writing at all–we’re all caught up in systems of privilege, patriarchy, etc, and we all, whether we are the privileged or the unprivileged, have our path working our way out of that). Tung, one of the main characters, is Asian, and certainly the universe is not wholly white, but my impression is that it is not always a complete rainbow; there are many strong female characters, but the books I’ve read so far, minus the latest and those in Cordelia’s honor, are very thoroughly centered on Miles, and the female characters are viewed through the filter of his particular longings–but to be fair, they disrupt this wishful lens quite often; and homosexuality and bisexuality do come in, though the only book I’ve read here where it is especially prominent is one that comes off a bit awkwardly, with a whole planet of men that women are not allowed to visit. Well, I mention all this because I’ve seen others touting Bujold’s progressive representation, and I do think it’s worth celebrating (and it is an enjoyable part of the series, giving us a more realistically full universe)–it is definitely a selling point, but I don’t know that everyone will be equally impressed.[edit–I’ve read further in the series now, and my impression is that Bujold continues to expand and deepen the representation of queerness and genderqueerness–the whole series is, I think, a neat set of pictures of the potential and boundaries of (relatively) progressive (but still “popular”) sci-fi from the mid-80s till now]
Well, that’s my recommendation for now–I’m just this week further in my reading than in my previous reading, so it’s fun entering into new territory! If you are just trying to decide whether this series would be for you, I suggest checking out The Warrior’s Apprentice–if you like it enough to keep going, check out the Cordelia books (Shards of Honor and Barrayar–collected as Cordelia’s Honor), then move on through the rest in chronological order (or whatever order you want–they are all self-contained, but I find that much of the fun is in the references between books).